Beep Beep Boop

the keyboard sends signals to the computer (via white cable); the computer sends sounds to the headphones (via black cable); the player (not shown) twiddles knobs and listens to results and also reads manuals; somewhere in there, music happens

doors to beyond await us let them in two-part suite

doors to beyond await us (score)

let them in (score)

doors to beyond await us (animated)

let them in (animated)

Lines of Demarcation

Lines of Demarcation from the Composing in Motion Series

Lines of Demarcation Part One pp03 C2772 556 ANIMATION

Lines of Demarcation Part Two pp05 3443 558 ANIMATION

Returning pp02 2662 557

“Returning pp02 2662 557”
Cycles: Earth Home Office Sky
Timbres: Bassoon Vocal Piano Snare Timpani

I have two homes in which I work.
Between them daily I commute.
One’s in the sky, the other earth.
Each time I change I leave a note.
It helps, when back, my pace ensure.
And keeps me focused on my purview.

LYRIC

ANIMATION

SCORE

TONALITY

C2442 558 Buddha’s Breath

We harm, we blame [breath]
We profit, we react [breath]
We conceal, we reveal, we choose [breath]
We act, we advance [breath]
We repeat [breath]

This is the wheel within us. This is the wheel we’re within. When we’re not aware, we are in it. When we are aware, we are in it. There is no escaping the wheel. Our power lies in awareness.

C2442 558 Buddha’s Breath SCORE
from the Composing in Multiple Dimensions Series
Arc One “Forgive”, Arc Two “Racketeer”, Arc Three “Shadow”, Arc Four “Forgive”, Arc Five “Restore”

C2442 558 Buddha’s Breath ANIMATION
from the Composing in Multiple Dimensions Series
Glockenspiel, Piano, Bassoon, Contrabass

C2442 558 Pentatonic Parallel TONALITY
C24minor, C42major, C2442full